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John Keston,
Un:heard Resonance

A series of electronic sonatas will be composed in real time with micro-sonic signals crowdsourced from the audience. A variety of microphones and sensors will be used to capture rarely heard vibrations emitted by geological, biological, and technological processes. Three movements chronicle the stages of the planet’s evolution from purely geological, to biological, and finally technological. The project will bring awareness to sonic activity rarely experienced within the environments we live in and exploit. The combination of micro-sonics and accompaniment will non-verbally stress hidden geological processes, the fragility and jeopardy of the ecosystem as it faces climate change, and the rapid, global expansion of technology. It will also imply that technology may eventually replace the geological and biological states of the world. A precedent for this idea resides in the concept of “Computronium” theorized by Norman Margolus and Tommaso Toffoli at MIT, a hypothetical state of matter that would yield the most efficient and powerful atomic arrangement for computer processing. The Geology and Biology sonatas represent the first two sequential stages in the evolution of the planet, while Technology suggests the dystopian possibility of the world becoming a giant computer that no longer supports life as we know it.


Additional artists:
Mike Hodnick
Chris LeBlanc
Aaron Marx
Lucas Melchior


Presented by


Weisman Art Museum - East Bank Weisman Art Museum (plaza level)

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8:59pm - 5:26am



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John Keston